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PRESS
Regarding the fascinating female character portrayed by Claudia Roick—a mistress and a pawn for Götz (...). Her death scene is striking—one of the few truly theatrical moments in this production.
Richard Peter, Dewezet, May 10, 2023
The TfN ensemble is also strong, including Roick... (as Götz’s partner, Katharina...)
Björn Stöckemann, Hildesheimer Allgemeine Zeitung, March 20, 2023
King Lear disowns Cordelia and hands his kingdom over to the twins. Claudia Roick plays both with impressive malice.
Cord Beintmann, Stuttgarter Zeitung, June 26, 2022
Claudia Roick truly thrives in the roles of the twin sisters, presenting them with such vivid, lifelike intensity.
Arnim Bauer, Ludwigsburger Kreiszeitung, June 27, 2022
The quintet of actors is a guaranteed recipe for success for this "Lear." Joining familiar faces (...) are new additions to the company this season, including Claudia Roick—who uses several clever techniques to embody both Goneril and Regan (at times even simultaneously)—and (...), all of whom also sing magnificently.
Susanne Mathes, Stuttgarter Zeitung, June 22, 2022
The head of the acting troupe (played with wonderfully dramatic, high-strung flair by Claudia Roick) wishes to stage a play by a poet—with whom she once had a romantic connection—who took his own life.
Cord Beintmann, Stuttgarter Zeitung, August 11, 2022
As Ilse, Claudia Roick whirls across the stage, constantly shifting her persona like a colorful chameleon. Arnim Bauer, Ludwigsburger Kreiszeitung, August 12, 2022
The wonderful Claudia Roick (alongside [...], the highlight of the evening) delivered the most poignant moments in her role as Mirelle Metthieu: in the first act, as she sings melancholically about the end of the road and unfulfilled dreams; and in the second act, when she explains what theater is truly about [...] These are powerful moments. Afterward, there is a sudden silence. A sense of depth becomes apparent [...]
Jörg Eschenfelder, Passauer Neue Presse, June 25, 2019
Great stage presence: Claudia Roick [...] as Alwine Wutenow.
Matthias Henke, MOZ, October 3, 2017
Highly talented and versatile: Claudia Roick impressed the audience with her skill.
Claudia Roick demonstrates her versatility, ranging from "Cabaret" to "Nur nicht aus Liebe weinen" – she is a truly gifted chanson singer.
Gerd Kreibich, PNP, August 31, 2020
Of course, it comes as no surprise—it was, in fact, to be expected—that a consummate professional like Claudia Roick [...] would deliver a flawless performance.
Christoph Kleiner, Neuöttinger Anzeiger, July 12, 2021
The program opened with [...] "The Frog King"; Claudia Roick brought this Brothers Grimm fairy tale to the stage as a one-woman show, infused with great wit and playfulness.
Herwig Slezak, PNP, August 8, 2021
In her portrayal of Frau Fluth—the most enchanting version we have ever witnessed—Claudia Roick made our very souls leap for joy. Ines and Siegfried Lawerenz, TRANSODRA Online, September 10, 2016
The overall musical direction was in the hands of Claudia Roick, who also shone in the role of the desperate opera diva.
PNP, July 15, 2019
Opening of the "Classic Open Air" in Berlin (...) Claudia Roick delivers a wonderful Musetta from "La Bohème."
Marie Luise Röhling, Tagesspiegel, July 3, 2015
The (...) performers—including Claudia Roick (Else)—bring this to life (...) with precision and great verve.
Heinz-Jürgen Staszak, Ostseezeitung, October 17, 2012
Claudia Roick captivated the audience with her outstanding technique, which she employed to fully bring out the specific atmosphere of each song.
Uwe Roßner, Ostseezeitung, October 26, 2012